Ooberfuse Zeeba Da Boo: A Quirky Groove for Dreamers

A trumpet, a dancefloor, and a question

There are songs that arrive like a warm breeze. Zeeba Da Boo (Why oh Why) just waltzed right in today, cocktail in hand, vintage shades on, and started talking about dreams. I’ve written about Ooberfuse before – months ago, when I first tripped over their sound. It felt like opening an old drawer in a new room: familiar and odd at once. Now they’re back with something that smells of sunshine, dance sweat, and old vinyl.

This time, Hal and Cherrie built a playground. Inspired by Hal’s father, a trumpet player raised on Louis Armstrong and Kenny Ball, this new track lives in the past, spins it around, and feeds it into a sequencer.

What they’ve landed on is something between a cheeky wink and a rhythmic nod. Electro-swing with a London twist. Hear those vintage horns, toe-tapping grooves, and a touch of music hall flair, all laced through with clean electronic beats that know how to move a crowd. It’s bold, playful, and completely unbothered by trends. The mood? Joyfully restless, as if the melody’s trying to keep up with its own daydream.

Recorded in the heart of London, Zeeba Da Boo (Why oh Why) is what happens when two pop minds dip their brushes in jazz tradition, splash it on electro swing, and decide to keep the groove as-is.

Ooberfuse Zeeba Da Boo – Same duo, Different Battle

The last time I wrote about Ooberfuse, it wasn’t about retro grooves or summer stages. It was We Will Overcome – a heavy track with a heavier mission. A raw, unfiltered call-out against child abuse. That piece felt like writing with gloves off – angry, necessary, and full of stakes.

So hearing Zeeba Da Boo (Why oh Why) now is like walking into another room of the same house. The walls are painted bright, the floor invites dancing, but the architects haven’t changed. Same duo, different battle. This time, they’re waging war on grey skies and indifference – with brass, basslines, and a wink.

It’s not a shift that should be surprising. Artists who can call out injustice with one song and then offer light with the next? And hey – that’s not contradiction – it’s range. And in Ooberfuse’s case, it’s damn near signature.

Something real in the bounce

This is a summer song, sure. Not the kind that gets forgotten by autumn, but something weirdly sincere in its bounce. I could tell you about the retro groove and the modern edge, and yeah, those are there – but what I noticed first was the smile. The way the beat feels like it’s already mid-dance.

It’s a track made for that exact moment when the sun goes sideways and people stop pretending they aren’t having fun. There’s joy here, but also a kind of hopeful unrest. The title asks a question – Why oh Why – and the music answers with movement. Maybe that’s the whole point, dance your way through the unknown.

And yes, if you’re wondering where to catch that energy live, the answer is: on the main stage. Ooberfuse will join DJ Judge Jules at Wollaton Hall on June 27. Think 500 acres of parkland, an Elizabethan mansion, and your shoes in the grass. Earlier, they’re warming up Tatton Park in Cheshire with Symphonic Ibiza, and sharing the festival circuit with acts like Pixie Lott and Sophie Ellis-Bextor. All under the banner of Musicians Against Homelessness. Respect where it’s due.

Music that remembers its roots

What sets Ooberfuse apart it’s their total disregard for them. They blend original songwriting with vintage textures that could’ve been lifted from a smoky jazz club or a neon-lit rave. And it’s all done without making a fuss. They just do the thing. And somehow, that honesty – paired with a trumpet’s ghost and a dance beat’s grin – makes you want to lean in.

There’s no secret message here, no cryptic metaphor. Just two artists chasing their sound through memory, melody, and a bit of madness. “This is a song about dreaming big,” they said. “About holding on to the light inside.” And you know what? It shows.

Ooberfuse Zeeba Da Boo – Final thoughts?

I played this one on a grey morning. By the end of it, I was tapping my mug like it was a snare drum. So, yeah – Zeeba Da Boo (Why oh Why) might be quirky, but it’s real. And in a world allergic to sincerity, that’s a damn fine thing.

Follow Ooberfuse on Facebook, Instagram, Spotify, YouTube, and wherever your ears feel at home – the groove keeps talking.

Stream OOBERFUSE music | Listen to songs, albums, playlists for free on SoundCloud

READ ALSO: ANOTHER BRIGHT SPARK IN MODERN POP