Megan Scott – Fake It and the Ghosts of Unfinished Feelings

Megan Scott And The Voice in the Grey Areas

There’s something quietly striking about my favourite next artist. Megan Scott comes from St. Ives, England – a place better known for light and calm – and her writing leans into the messy middle of things. Listening to Fake It, I kept thinking about how young artists today speak with a kind of emotional clarity that took some of us years to reach. She writes plainly, without dressing things up, and the words arrive as they are.

I hear someone asking for one more night, not to fix anything, just to feel held again. The rest stays put – being left exactly where it ended, on the floor, with the weight of what wasn’t said. I don’t need it explained.

Fake It and the Unspoken Ending

Fake It, released on December 30, 2025, circles around a situationship that fades before anyone says what it really is. Megan wrote the lyrics herself, and you can hear how personal they feel. The song sits with that uncomfortable want – the urge for one more night, one more moment, even if feelings have to be borrowed for a while. Perhaps like many of you, I’ve lived that space myself, and I hear myself in it. There’s plenty of room for the listener to step in and take their own version of the story.

From Lyrics to the Room

The production comes from Logan Webb, whom Megan met through Plant Pot Records. She arrives at the studio in Preston with lyrics ready, then the two shape the track together. I hear two people in a room, figuring the song out. Influences from contemporary pop songwriters hover in the background, yet Megan’s voice already builds its own identity.

Fake It marks her third release, and the one she connects to most. And to be honest, when an artist says that, I tend to listen a little closer.

Megan Scott is on Instagram, TikTok, and Spotify. That’s where the story continues.

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