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Keeana Kee “Tik Tok”: The Ultimate Summer Anthem Groover City
I didn’t plan to feel anything today, but then this track showed up like a bruise. You weren’t ready for songs like these, but damn if they don’t sit down next to you. That’s what Skin and Bones by Juliana Hale did to me. Just a voice that walks straight into your spine and makes itself at home.
I’m not one to get sentimental over ballads, but this one got through my usual armor. Maybe because it’s raw and awkward and doesn’t beg for your pity. It just tells the truth.
There’s no hiding in Skin and Bones. Juliana Hale gives it plain, her voice sharp as hospital light. “Do you know how it feels to not be at home in your own body?” And I had to stop – actually stop – and ask myself: have I ever?
Another hospital bed, another crowded lobby – it’s daily life for her. For anyone who’s carried illness like a backpack filled with bricks. There’s a strange weight to Skin and Bones – the kind that reminds you you’re still carrying something.
I grew up thinking songs were either made to dance to or cry to. But Juliana builds one for those who’ve done both in the same night. This track was written at Song House – a place where raw talent gets stripped back to its first heartbeat. And it shows.
From the first verse, there’s a backbone to this ballad. A strange kind of defiance in the way she says, “My mama raised me to believe that life ain’t fair.” There’s the grit – the one passed down in kitchen talks and driving-home silences.
And the lines – “All these pills but I’m still sick / Say my prayers, I’m still not fixed” – they sound like someone who’s had enough of waiting for green light to feel angry, exhausted, or just done.
Miracles can wait. Juliana Hale’s after something real – breath, ache, and the small wins that keep you moving. “I don’t need another sermon that you stole from the TV” – now that’s a slap. And for a second, I felt like she was singing to all those awkward well-wishers who mean well, but end up decorating your struggle with cheap sentiment.
This might be her most stripped-down track -musically and emotionally – but it’s also one of her most powerful. The chorus goes loud and alive. And that last line: “I’m more than what makes me sick / Can still be whole and not be fixed” – that’s a declaration. One that should be printed on every damn prescription bottle in the world.
Juliana Hale, Nashville’s Pirate Pop Princess, has sailed through upbeat hits and funk-pop confidence (Collateral Damage, Cry My Summer Away), but here she moors her ship and shows the battle scars. Skin and Bones takes her into the adult contemporary lane, sure – but it still wears her rebellious fingerprint. It’s what happens when a voice chooses honesty over optics. I get that. And if this is what her upcoming album’s made of, I’ll clear some space on the shelf.
Juliana Hale: Still Standing, Still Singing
She’s been racking up serious plays – Vendetta with 550K, Head in the Clouds hitting #6 on iTunes, sync placements in fashion campaigns and indie films – but numbers feel small next to the weight of this track. This one’s for the ones who’ve felt shame in silence, prayed with no feedback, and stared at medicine bottles like roulette wheels.
Whether you’re a fan of Kelly Clarkson, Phoebe Bridgers, or Lady Gaga’s vulnerable edges – Skin and Bones is worth your ears. As for me, I listened to it once and then played it again. Because I needed to know someone else had walked through the same fire… and sang on the way out.
Follow Juliana Hale. She’s there where your ears feel most at home – Spotify, YouTube, Facebook, Instagram, the usual stops. Keep Skin and Bones spinning.
Written by: Flav
2025 Artist Ballad female Fire Hale Indie Juliana Nashville Pop production Release songwriting storytelling
today24/10/2025 119 20


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