
Groover City Radio Groover City - Tune in, turn up!
Keeana Kee “Tik Tok”: The Ultimate Summer Anthem Groover City
I’m dealing with music and its many styles, genres, and sub-genres for more than three decades. I have heard a lot in my life, as a listener and as an electronic music producer. I enjoy diving deep into listening and forming opinions about what lies behind any track I review. Honesty and sincerity guide me in this process. And here – we have something truly interesting and original. I didn’t even know this kind of music existed: Infinitum Bye is here, taking us on the field of paradigmatic suspension.
Infinitum Bye, real name Eliseo Provezza, creates a musical universe that challenges the boundaries of conventional genres. Born on the 3rd of February 1996 in Manerbio, Italy, Eliseo is the official pioneer of Cosmic-Surrealist Avant-garde music. The first vessel on planet Earth for Cosmic-Surrealist Avant-garde music. This innovative artist combines experimental techniques with a unique perspective to redefine how we experience sound.
Raised in Orzinuovi, Eliseo grew up in a home filled with music. His father, Rinaldo Provezza, owned a music venue near their house, back in the 90s, where Eliseo was surrounded by live performances and creative energy. From an early age, he immersed himself in music, playing instruments and exploring sounds. Although he initially showed interest in painting, he transitioned to music as a more dynamic form of expression.
By the time he was 18, Eliseo had moved to London to pursue his musical ambitions. He became a multi-instrumentalist and developed his distinctive style using guitars, synthesizers, pianos, and hybrid experimental vocal effects. He is also the founder of Surrealia Records, where he continues to develop and share his vision.
Cosmic-Surrealist Avant-garde music occupies a unique space in between experimental avant-garde and ambient music. It is a new sub-genre with many strands into the unpredictability of modernisation of thought and perception of Cosmic-Surrealist Avant-garde wisdom. It incorporates elements like hybrid pedals, electrified distortions, and flangers to create textures that evolve unpredictably. Unlike ambient music, which often follows a slower pace, generating textures that typically travel in between 30 to 60 BPM, this genre explores faster tempos ranging from 80 to 1000 BPM. The soundscape includes dynamic movements, spiralling patterns, and intricate textures that engage the listener in new ways. This approach opens up possibilities for modern experimental sounds and challenges conventional perceptions of music, through ringshifting spirals and vortexes of sounds, wobbling and scraping against one another in the most unpredictable Cosmic-Surrealist Avant-garde way.
The Catharcism album is a conglomeration of many different genres, as well as a breaking away from the methodologies of writing and recording music. It delivers sound waves of experimental cosmic-surrealist avant-garde musical wisdom for the senses worn out by the system. Eliseo’s approach challenges traditional norms, blending innovation with artistic freedom.
Eliseo’s latest album, Catharcism, dropped on August 8, 2024, and it’s a 33-track behemoth that climbed straight to number one on the alternative charts in both the UK and the US. Each track is its own beast, blending distinct styles that somehow weave into a seamless narrative. It offers a musical kaleidoscopical spiral for the soul, where each soundscape becomes an invitation to explore further. Cosmic and astral intersections unfold, drawing the listener through evolving sonic landscapes and imaginative textures.
Music has many starting points. Sometimes it begins as a feeling, sometimes as a sound. And sometimes, like For Dear Life, it starts as a poem. Words etched from something deeper, something timeless. This one carries the weight of truth, a reminder that the heart and soul never contradict themselves.
“You are creating your future, my friend.” No sugarcoating, no illusions, just a direct hit to the gut. The track moves like a conversation with destiny, unfolding in waves of introspection and Cosmic-Surrealist Avant-garde wisdom. In the light as we are shifting through evolution, we’ll know a better way to be with ourselves. It’s about change and growth, about steering the wheel of your own transformation. And here, the melody doesn’t rush. It lets the words breathe, pushing the listener to sit with them, to feel them.
If For Dear Life is the deep breath before the leap, Fly To Me is the moment you let go. It’s motion, energy, and surrender wrapped in an electronic dream. The synths swirl like currents in an open sky, and the rhythm moves with a weightless certainty.
“Fly to me, and you’ll be fine.” It’s a call and a reassurance, a beacon from the other side of fear. The song pulses with the kind of freedom that is both heard and felt. It’s easy to be free. In time you’ll find. Infinitum Bye and The Field of Paradigmatic Suspension moves like an infinite loop, a rollercoaster track where the highs never really end. The sounds are chosen with precision, flowing together as if they’ve always belonged in the same space. It doesn’t tell you to break free, instead it hands you the key and waits for you to step through.
There are songs that really move into this 33 tracks album, and cannot be omitted. Others that make you move. And then there are the ones that make you float. Melting With The Night Time Sky belongs to that rare category – a weightless, atmospheric glide through sound and emotion. It doesn’t push, it doesn’t demand, it just exists, like a distant satellite drifting through the cosmos.
The track carries a spatial mood, its linear percussions pulsing like a steady heartbeat against the vastness. Eliseo’s voice weaves through the fabric of the night, carrying lines that feel both intimate and infinite: “Sometimes I feel lost in my soul / As I grow / Swimming through the evening glow / In your soul.”
The words dissolve into the atmosphere. There’s a quiet ache in them, but also a release – a surrender to something bigger, something that stretches beyond the sky. When the chorus lands, it’s not a climax; it’s an opening: “Through the sunrise you find / My warm embrace / Somewhere I die over the horizons in your eyes / Melting with the night time sky.”
It’s an invitation. To let go, to dissolve into the unknown, to embrace the vastness instead of fearing it. By the time the song reaches its final passage, Eliseo sings of walking through the fields, setting fire to the realms of the known – just for love. And isn’t that the essence of it all? Letting the familiar burn away so something purer, something weightless, can take its place.
If Fly To Me was about moving toward freedom, Melting With The Night Time Sky is about becoming one with it. No edges, no limits. Just the endless horizon.
Guys, this one feels like is written in the spaces between thoughts. Yes, there where time slows down and possibilities stretch infinitely. Between The Not Yet Known And What Could Be is one of them. Stripped down to nothing but spatially echoed guitar chords, it doesn’t push. Instead it lets you float, weightless, through sound and silence.
“Being here with myself / Feels like falling into horizons / Through the waves / Between the not yet known and what could be.”
The lyrics are painting a feeling. A moment of suspension, of drifting between the past and the future, where nothing is set but everything is possible. The guitar lingers, each note stretching outward, reverberating like distant signals lost in space.
“Being here / Feels just like / Flying through horizons / Out of sinking / Dancing through ya / Between the not yet known and what could be.”
The repetition it’s a trance, a slow-motion dive into the unknown. The song lingers, an open-ended thought echoing into the void. Some songs pull you forward – this one lets you hover, right on the edge of what’s coming next.
Catharcism is huge, a vast infinite to explore. And some songs are creating even more space. There Is Love For You To Find is one of those tracks. A slow-burning ember floating in the vastness, carried by spatial guitar chords and soft, luminous pads. It doesn’t rush. It lets each note breathe, radiating warmth like light filtering through half-closed blinds in the early morning. The lyrical content is based on creating a figurative and metaphorical language between people and nature. It’s about recognising that we are surrounded by universal love. This song increases vitality and acts as a form of personal empowerment.
“In the sunlight in your eyes / There is love for you to find / Beyond the dark days in your mind / There is love for you to find.”
The song moves like a quiet reassurance. A hand on the shoulder telling you to keep going, to look beyond the heavy moments.
“Only if you speak delight / In your eyes / You will find / That we are just like stars on the night time sky.”
It’s about perspective. About choosing to see the light instead of letting the dark define you. It’s a quiet guide through the fog, whispering the one thing that always seems impossible to believe when you need it most. There is love for you to find.
Some people rage against the world. Others just write their way through it. Writing Songs For You All doesn’t shout, doesn’t demand. It simply exists, like a late-night confession whispered into the void. Over gentle guitar chords and sweeping violin pads, Eliseo crafts something both deeply personal and universally human.
“Who cares of the world all around / When we’re all gonna die somehow / As the men shake their hands in despair / I sit with a pen in my hand.”
And let’s be honest, it’s not cynicism. It’s clarity. The world spins, hands wring, people chase things that slip through their fingers. And yet, here he is – writing, creating, carving something honest out of the noise. The song moves with the weight of solitude. Not loneliness, but the kind that brings understanding.
“I shine in the light as I write / My words are not blind to the light / As I feel alive in the sky / As the day flashes by in my eyes.”
This is about songwriting and survival in the same time. Writing is a lifeline, a way to ascend out of the dark days, to hold onto something real. And when he sings, “I feel love for myself from within,” it lands like a quiet victory. Not a grand epiphany, just a simple, honest truth. “Well the world keeps on spinning down my feet / For today is my time to live.” The chorus has a western vibe to it…
“Writing songs for you all / Writing songs for you all.” It’s not an anthem, not a protest. It’s a moment of stillness in a world that never stops moving. A reminder that even when everything else feels out of control, you can still create, still express, still be. And sometimes, that’s enough.
The tracks in Catharcism are like stepping into a labyrinth built from sound, where every corner twists into something unexpected. The album’s structure thrives on unpredictability, channelling the essence of Cosmic-Surrealist Avant-garde music and leading listeners through uncharted territories that demand both curiosity and reflection.
Infinitum Bye and The Field of Paradigmatic Suspension has introduced a fresh perspective to modern experimental music with Catharcism. The album highlights the possibilities of Cosmic-Surrealist Avant-garde music and invites listeners to engage with sound in innovative ways. Eliseo Provezza continues to push the boundaries of what music can be, creating work that resonates on both a technical and emotional level.
If you’re ready to venture into this labyrinth of sound and discovery, don’t just sit on the sidelines. Share this journey with friends, follow Infinitum Bye’s artistic evolution, and make sure his music reaches more ears. This album presents a journey waiting to be explored. So, dive in, tune out the noise of the ordinary, and let Catharcism be your guide.
Explore the world of Infinitum Bye and find more on his social media: Apple Music | YouTube | Instagram | Spotify | BandCamp |
Stream Infinitum Bye music | Listen to songs, albums, playlists for free on SoundCloud
Written by: Flav
Album avant-garde Catharcism Cosmic Infinitum Bye Musical Surrealist
Post comments (0)